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Christie & Alexa Brinkley

Chevy & Cydney Chase

Joe Henry

Olivia Newton-John &
Chloe Rose Lattanzi
As a friend to Nancy and Olivia for some 25 years, I have admired them both for their enormous and divergent talents which between the two of them cover a broad spectrum of what is potentially good in human beings. Having been in one another’s relative proximity—sometimes nearer, sometimes more distant—we have witnessed in different ways our own personal evolutions. For me, particularly their marriages and the births of their daughters, Colette and Chloe, and the blossoming of those two little souls into such beautiful little girls. And then my being on the phone with Nancy one day who was telling me about Colette’s stomach-aches, and that she was to be seen at the hospital that afternoon, and then Olivia’s phone-call that evening telling me of catastrophic discoveries—and so the beginnings of Colette’s and Nancy’s and Jim’s unimaginable year until Colette was finally released from that most difficult of burdens that any of us bear—and she a five-year old.

And then being on my knees in Colette’s bedroom alone and holding her hand which I kept thinking was impossibly cold, and after 45 minutes still determined to wait there like that until she finally took another breath, which I was convinced if I waited long enough, she had to do. And which she never did. And from that day, however long it took for Nancy and Jim to somehow put at least a step or two between them and the blinding glare of grief, and begin again. And give birth again. This time to an answering purpose which they called the Children’s Health Environmental Coalition. CHEC.

When Nancy and Olivia were more than 2/3’s of the way through their simultaneous pregnancies (and when Colette’s Wilm’s tumor was already—unbeknownst to everyone for another 4½ years—growing against one of her kidneys), Olivia asked me if I would write a lullaby that she could sing to commemorate the births of her and Nancy’s babies. I wrote a lyric entitled, “The Flower That Shattered The Stone,” which composer John Jarvis put to music. The words intend that no matter how brutal the reality, no matter how brutal the worst parts of our nature—what appears fragile and delicate, what is most vulnerable in us and what is most precious about us as living creatures—love—ultimately love must prevail. The flower of love ultimately will shatter the stone—be it of corporate power, political power, individual greed, individual ego, whathaveyou. I have to believe that the flower, in the end, will prevail. Perhaps as individuals we won’t be here long enough to bear witness to that advent, but I believe that that is why we are here. To help push that stone. An infinite distance with an infinite number of hearts and hands.

However hard the equation, maybe Colette’s cancer—which was caused by an environmental toxin—was also that stone. And when Colette left where she had been, and where she always will be, in her parents’ hearts; another seed was given birth, to enjoin like hearts to come together to protect other children. And that too is the flower. And that too is CHEC.

Joe Henry

April 29, 2001


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